Every night of the tour, tens of thousands of fans are tuning in to joyfully amateurish livestreams generated by fans in the stadiums. Our writer joins the online audience
When Taylor Swift released The Eras Tour movie last October, it quickly became the highest-grossing concert film of all time. Fans danced in the aisles of screenings. Critics praised Brett Turnbull’s cinematography. When I went to see the actual Eras tour in Edinburgh two weeks ago, I was charmed to see dozens of people watching the film while on the train on their way to, you know, actually see the concert in real life.
The film is a phenomenon in its own right: a slick and bombastic ticket to an event you may have missed out on, or one you might just want to relive in perpetuity. But may I suggest that you’ve never really seen the Eras tour on screen until you’ve participated in one of the unofficial fan livestreams that operate every single night of the tour? Here, the shaky camera footage, taken from phones held up around the stadiums, makes The Blair Witch Project look like Blade Runner. A phone pointed stage-wards from the gods can’t hope to capture the scope of the stadium sound, and so a distant, blown-out Swift often has to compete with joyful caterwauling from your DIY documentarian.
