The Confessions review – dazzling drama drawn from a mother’s memories

the-confessions-review-–-dazzling-drama-drawn-from-a-mother’s-memories
The Confessions review – dazzling drama drawn from a mother’s memories

National Theatre, London
Alexander Zeldin’s profoundly moving play grew from his parent’s reflections, which he uses to conjure an epic struggle for love and freedom

A reluctant protagonist stands at this drama’s centre: Alice, diminutive and white-haired, enters before the curtain is raised to insist: “I’m not interesting.”

She becomes bifurcated into young Alice (Eryn Jean Norvill) and old (Amelda Brown). But for all the diffidence on her part, writer and director Alexander Zeldin knows exactly what he is doing and why he is doing it. He spent time recording his mother and her peers to create this tight, searing sweep across a generation of women who fought to make themselves seen and heard. The result is a drama that captures heart and mind, brimming with emotional delicacy and quietly dazzling in its ambition.

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